More Jughead = better Riverdale. It’s a simple formula largely based on this episode, which partly focuses on Cole Sprouse’s moody, beanie-clad outsider campaigning to save the Twilight Drive-In from impending destruction.
Of course, Juggie is an obsessive cinephile. It’s a perfect grace note for the character, denoted by a fairly basic Tarantino reference, but really driven home by our humble narrator referring to Betty Cooper as a “Hitchcock blonde”. As it transpires, Jughead has better reasons than cinematic taste to try and preserve the old drive-in cinema not only does he work there as a projectionist, he’s camping out there. Juggie’s home life is less than ideal; his mother and little sister are nowhere to be found, while his old man, F.P. Jones (Skeet Ulrich), is the leader of the South Side Serpents, a 1%er outfit of leather-clad ne’er-do-wells. Jug and his old man really only get one scene together, but it’s milked for pathos – especially since F.P. is partly responsible for the Drive-In being sold off to a developer, acting as a bagman in a bit of skullduggery involving Mayor McCoy (Robin Givens) and… the Lodges!
Remember the big bag of money Hermione Lodge was gifted with back in episode one? As it turns out, Hermione is acting as a catspaw for the imprisoned and as-yet-unseen Hiram Lodge, paying off McCoy and the Serpents in order for Lodge Industries purchase of the old drive-in to go smoothly. It’s a cool development, one that is hard to see coming but makes perfect sense in retrospect. Canonically, Mr. Lodge has always been the major financial player in town, and this lets him still fulfill that role while remaining offscreen.
The battle over the drive-in is also a strong thematic touchstone; it represents “Old Riverdale”, the innocent land of neon and classic cars, hot dogs and teen canoodling – how apt that it’s being destroyed by the “New Riverdale” of soap opera plot twists, corruption, and dirty dealing. Jughead, our POV man, wants to protect Old Riverdale; sadly, he can only bear witness to its passing, even as he himself is hurt by the machinations that grind it up.
We also get a better idea of the social dynamics underpinning Riverdale’s older generation. Hermione and Fred head to the drive-in together for its final screening (top marks for using Rebel Without A Cause) and it becomes clear that they used to have a thing going on back in the day before she ditched him for the wealthier Hiram. At another point, after Veronica sees her having an argument with F.P., Hermione explains that the two of them went to high school together Meanwhile, we learn that Fred once fired F.P. for theft. If anything, the middle-aged Riverdalers have more going on than their front-and-centre kids.
All this is background stuff, though, with the A-plot reserved for – and seemingly resolving – the increasingly icky relationship between Archie and Ms Grundy, as Girl Detective Betty Cooper learns that the music teacher is, in fact, using an assumed name (cue photo cameo from the real Grundy, the spitting image of her comic book counterpart). Grundy’s explanation for this is that she is fleeing an abusive relationship, but the show has put up too many red flags for that to fly, chief among them that she previously did an “independent study project” with the now deceased Jason Blossom.
Once all this is out in the open there’s nothing to do but put Grundy on a (literal) bus, but what’s really jarring is the fairly blase attitude everyone – including Fred, Archie’s dad – takes to the revelation that the music teacher has been in a sexual relationship with one of her students. There’s no way to read that as anything other than predatory, but only Betty’s mother, Alice, really getting bent out of shape over the situation and calling a spade a spade – and we’ve already been encouraged to view her as nuts, anyway (indeed, there’s a scene this ep where she suddenly appears outside a car window at the drive-in, flashlight in hand, that seemingly exists just to reinforce this). There’s actually a weird disconnect between the way characters react to the situation and the way the show represents it – consider the scene where Grundy – real name Jennifer Gibson if you’re keeping track – favouring a group of teen hunks with a lingering gaze; there’s a disturbing pattern being hinted at here, and we the viewers are far more squicked out than almost anyone on the show.
Still, “The Last Picture Show” is a pretty great episode, deepening our understanding of the town’s dynamics and laying foundations for further plots beyond the whole “who killed Jason Blossom?” hook. It’ll be interesting to see what kind of fallout results from the Archie/Grundy storyline – it’d be good to see ol’ Arch realise how badly he’s been used at least – but if not getting that is the price of moving forward narratively, fair enough. There’s plenty going on in the Town With Pep that’s more worthy of our attention.