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The Walking Dead: The Complete Seventh Season

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As the 100th episode of The Walking Dead looms for the Season 8 premiere, we have a look back at Season 7, the most critically divisive since the “are they ever going to leave this bloody farm?” shenanigans of Season 2.

After the eye-rolling finale of season 6, where the showrunners decided to hold off on the identity of who got clobbered by Negan (Jeffrey Dean Morgan) because it was “fun”, Season 7’s premiere episode “The Day Will Come When You Won’t Be” had an uphill climb. We needed a satisfying answer to the question “who carked it?” but also a meaningful letter of intent, to try and understand what the seventh season would be about.

While the show delivered big time on the first question – killing two beloved characters, one of whom had been with us since the beginning – the second query was mostly ignored, and fans noticed. Some five million (!) viewers left The Walking Dead in the first half of the season (7A) and reviews ranged from weary to scathing. Ironically the Greg Nicotero-directed first episode is a fantastic piece of shocking, intense horror – beautifully executed – however the half season that followed felt rather listless.

Watching Rick (Andrew Lincoln) react to tragedy can be effective in small doses, however eight whole episodes of it felt a tad indulgent. That’s not to say it was all lousy, “The Well” and “Sing Me a Song” were both solid, and “The Cell” was striking and unusual, and has permanently installed that bloody “Easy Street” song in my head.

The second half of the season, 7B, was a big improvement. From the get-go with “Rock in the Road” one could feel the transition to a more proactive stance, as our heroes decide it’s time to fight back. Of course as we found with the strong climax, “The First Day of the Rest of Your Life” – the all out war scenario has been held over until Season 8, making 7B the march to war. Some may debate the wisdom of this, but it does mean the new season can hit the ground running.

In terms of rewatching, Season 7 is solid, albeit unspectacular. The premiere and finale are both thoroughly entertaining, and there’s solid character work all the way through, but the pace has definitely slowed and that needs to be addressed. In terms of blu-ray extras the usual bag of not terribly exciting deleted scenes (most of which were better left on the editing room floor), making of documentaries, featurettes and audio commentaries round out a solid package.

Sadly the audience-anticipated “F takes” with Negan in full sweary mode aren’t included on the blu-ray, which is a bummer for fans of the comic, who want to see the big man loose those “fuckity fucks” with his typical charming alacrity.

Ultimately The Walking Dead: The Complete Seventh Season is a solid blu-ray but not necessarily a must-have. It showcases this red-headed stepchild of a season with crisp quality and generous extras, but is unlikely to change your stance if you didn’t dig on the rather protracted action the first time around.

 
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The Walking Dead S7 E16: The First Day of the Rest of Your Life

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

Well here we are – the season seven finale of The Walking Dead and the shambling show’s ninety-ninth episode! Season seven has been an odd one. On the one hand we had bold, shocking episodes like the season opener “The Day Will Come When You Won’t Be” and enjoyably goofy adventures in splatter like “Rock in the Road”, not to mention Richonne-centric episode “Say Yes”. However those high points have often been floundering next to oddly-paced efforts like “Swear” and “The Other Side”.

What this season needed was a kick-arse, game-changing, jaw-dropping finale that will make the occasional stumbles feel worthwhile. So is “The First Day of the Rest of Your Life” that episode? Partially, yes, but we’ll get back to that in a bit.

The episode opens with a creepy close-up of Sasha’s (Sonequa Martin-Green) sweaty face. She appears to be in a small dark room and is listening to music on an iPod. Is she dying, crying or passing out? We don’t know yet and we’ll be revisiting this strong image throughout the episode.

After the opening titles, and a quick visit to Sasha again, we head into a flashback where Sasha recalls her final day with Abraham (Michael Cudlitz). The pair of them are still in the early period of their relationship and Sasha has had a nightmare about Abe’s death. It soon becomes clear they’re about to leave on the journey at the end of which Abraham gets his proud ginger bonce flattened. It’s a bittersweet memory that we’ll be returning to throughout the episode’s extended runtime.

Back at Alexandria, Rick (Andrew Lincoln) is grilling Dwight (Austin Amelio) about why he wants to help them. Dwight claims he wants Negan dead, but Daryl (Norman Reedus) and Tara (Alanna Masterson) would quite happily kill the scarred defector on the spot. Cooler heads prevail and Dwight is allowed to initiate a plan to kill Negan. As Dwight drives off Daryl observes he’s “gonna kill that sum’bitch” when everything’s all over. For that “Easy Street” song alone, we’re with you, Dazza.

Meanwhile in Sasha’s cell, Negan (Jeffrey Dean Morgan) is talking to Sasha about how peace can reign after “Lucille takes three”. Sasha is horrified by this revelation and cunningly talks Negs down to one. “Just one person has to die,” she says in a way that pretty much guarantees we won’t be seeing her in season eight.

At the Hilltop, Maggie (Lauren Cohan) pitches her plan to help Rick to Jesus (Tom Payne). Jesus agrees with her and offers that it’s good Maggie is the one giving the order as it seems Gregory (Xander Berkeley) has done a runner, possibly to dob on our heroes. Fuck’s sake, Gregory, Maggie saved you from two zombies last week! Have a word with yourself.

Elsewhere the Kingdom is on patrol. They come up against a line of shopping trolleys, a technique last seen in “Bury Me Here”. Morgan (Lennie James) emerges from the shadows and, just in case you hadn’t realised how crazy he was, we can see he’s sharpened his staff into a spear. Morgan is clad in Benjamin’s armour and doesn’t seem keen to join with the Kingdom until Ezekiel (Khary Payton) delivers a speech that declares, “No one will suffer under [The Savior’s] capricious malevolence again!” When a bloke with a tiger says stuff like that it’s hard not to fall in line, and Morgan walks next to Carol (Melissa McBride) as they march to war.

Back at Alexandria the Bin Chickens (aka Heapsters) arrive on pushbikes and garbage trucks. Yes, they drive actual garbage trucks. They’re thematically consistent, which you’ve gotta admire. Jadis (Pollyanna McIntosh, who can do no wrong) looks Rick over and asks Michonne if she can: “Lay with him after. You care?” Clearly Michonne would care but Rick seems at least at a little tempted.

We move into a tension-building sequence where we cut back and forth between Alexandria preparing for war and Negan approaching, slowed down by Dwight’s felled tree trap. This is a beautifully scored sequence and really amps up the expectations for the violence to come.

The Saviors finally arrive but something seems off. For a start, Eugene (Josh McDermitt) is standing in for the big fella. When Rick asks where Negan is, Eugene answers: “I am Negan.” Rick’s had about enough of this bullshit and he gives Rosita the nod for her to spring her explosive trap. She presses the button and… nothing. What’s going on? Cue the episode’s best twist. The fucking BIN CHICKENS turn on our heroes, bamboozling the ENTIRE COMMUNITY OF ALEXANDRIA with the weapons they themselves fought so hard to get. What the hell, Pollyanna McIntosh, we literally said you could do no wrong two paragraphs ago!

Personal feelings aside this is a really excellent and surprising development. Alexandria is suddenly on the back foot and Negan enters, holding Lucille and grinning the smuggest of smug grins. Apparently Negan just made a better deal with the Bin Chickens (booo!) which, you know, Rick probably should have allowed for. Negan wants the following: all the guns, a victim for Lucille (of Rick’s choosing, no less), Daryl and a pool table – with cues and chalk. Rick, on the other hand, wants to see that Sasha is still alive. Negan presents a coffin which he begins to open…

We go into a recent flashback where Sasha claims she’ll ride in the coffin, and all she wants is a small bottle of water. This apparently gives Negan a major boner but he lets it happen. We finally understand what we’ve been flashing back to: Sasha riding in the coffin after swallowing Eugene’s suicide pill.

So when Negan opens the coffin, zombie Sasha lurches out, trying to take a big bite out of his tasty flesh! The bamboozler has become the bamboozled! Rick and a number of Alexandrians use the opportunity to fight back against the Bin Chickens and Saviors, and a messy gunfight ensues. Rosita (Christian Serratos) cops a bullet but is dragged to safety by Tara. Michonne has a nasty battle with a random Bin Chicken. Rick attempts to do some sexy bartering with Jadis but instead of joining in like usual she just shoots him in the thigh. So, you know, a little less sexy than usual.

The uprising is thwarted. Rick ends up on his knees next to Carl (Chandler Riggs) and Negan delivers a big old speech that we know will end with Carl getting his head turned into skull hommus. Someone falls off the sniper’s perch and Rick seems to believe it’s Michonne. Negan crows to Rick about the bad shit that’s about to happen but Rick reminds him that he, in fact, will kill Negan no matter what. Negan fury chuckles and hefts Lucille…

… when SHIVA THE FUCKING TIGER jumps into the fray and starts eating Saviors! The Kingdom has arrived! The Hilltop has arrived! And did we mention the motherflipping tiger? The tide has seriously turned and the the Bin Chickens and Saviors all bid a hasty retreat, taking heavy casualties along the way. Negan leaves Alexandria, defiantly offering a one-fingered salute as he goes. Rick finds Michonne badly beaten but alive.

Back at the Sanctuary, Negan is pissed off. He quizzes Eugene on how Sasha died. Eugene lies and claims she must have suffocated but Negan seems suspicious. Maybe Eugene isn’t quite as Negan as he claims? Regardless, the boss man addresses his troops, saying “we’re going to war!” Everyone cheers. These boys love a fight.

The episode ends with a bittersweet conversation between Rick and Maggie delivered in voice over. During the talk we see Jesus take down walker Sasha and Maggie pulling out her knife to finish her off. Carol and Morgan share a moment, bloodied from battle. Daryl discovers a message from Dwight that he “Didn’t Know”, but do we trust him? Alliances are affirmed and the battlelines drawn. It’s a surprisingly emotional sequence that leans heavily on the viewer’s nostalgia for the previous six seasons, but works nonetheless.

“The First Day of the Rest of Your Life” is not the all out war some viewers may have been hoping for. As we predicted in last week’s review, it’s more the first battle of many rather than the concluding chapter. Our heroes will be fighting Negan for some time yet to come, but if that’s the case at least they’re united with a common goal which will hopefully lead to more focus in the storytelling.

Greg Nicotero does a superb job as usual with everything except some of the gunplay in the episode’s second half, which felt oddly clumsy. However that’s easily forgiven when you consider the tiger attack, trio of big surprises and the solid character work with Sasha – we shall miss you, Sonequa Martin-Green.

Ultimately “The First Day of the Rest of Your Life” is a solid, course-correcting conclusion to a shambolic, occasionally directionless season. It sets up a eighth season of proactive storytelling and, hopefully, will dig into some of Negan’s backstory… before he gets killed in a horrifically graphic fashion, that is.

So that’s FilmInk’s coverage of season seven done for the year. Thanks for reading and we’ll see you back for weekly coverage of both Fear the Walking Dead and Game of Thrones in the coming months.

 
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The Walking Dead S7 E15: Something They Need

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

In the aftermath of last week’s disappointing “The Other Side” – with its heavy emphasis on Operation Dipshit – The Walking Dead really needed a strong, focused episode to get us back on track. So is “Something They Need” something we needed? Kinda, but we’ll get to that in a bit.

This episode begins with an excellent cold open. A John Carpenter-esque synth score plays as we hear Tara (Alanna Masterson) tell Rick (Andrew Lincoln) about the Oceansiders and their sweet, sweet cache of weapons. On screen we see Rick and crew preparing to take the weapons, by force it seems, and a horde of slimy, barnacled zombies disgorging from a large, partially sunken boat. This is the kind of efficient, visual storytelling The Walking Dead really needs more of and the beach of barnacled biters is a strong image on which to segue into the opening titles.

Meanwhile at The Sanctuary, Sasha (Sonequa Martin) has been imprisoned in the same cell that played a temporary home to both Daryl and Eugene. Apparently we’re not going to see how she managed to get caught, and frankly the less said about her profoundly stupid plan the better. David (Martinez) pays Sasha a visit and within about a minute decides he’s going to rape her. He gets down to the trouser-dropping stage when Negan (Jeffrey Dean Morgan) pops in and plays an actual savior for once. Negan, you see, draws the line at rape. Beating unarmed people to death with a baseball bat? Fine. Sexual assault? Not on his watch. Negan demonstrates this point by knifing “Rapey Davey” through the neck. He leaves the cooling corpse and bloody knife with Sasha, offering her a number of options – kill herself, try to kill Negan, kill Rapey Davey before he becomes “dead alive Rapey Davey” or let herself become zombie food. Not a great list of options but Negan makes the offer sound tempting, as he purrs to Sasha about her “beachball-sized lady nuts”.

Later, Eugene (Josh McDermitt) pops in to preach the gospel of Negan to Sasha. He actually does a pretty convincing job of explaining his own motivations for joining the Saviors but Sasha doesn’t want a bar of it. Eugene leaves and Rapey Davey’s dead eyes open…

Back at the Hilltop Gregory (Xander Berkeley) pays a visit to Maggie (Lauren Cohan) who is doing a spot of gardening outside the walls. Olive branches are extended but as Maggie continues to garden, Gregory seems to toy with the idea of stabbing her. He decides not to and then a zombie arrives. Gregory laughs off the idea of a pregnant lady helping him dispatch the walker, but then can’t seal the deal and backs off. Maggie stabs the zombie quickly and efficiently and even saves Greggers from a second ambulatory corpse. A group of Hilltop residents arrive just in time to see Gregory puking as Maggie calmly sheaths her weapon, offering a fairly heavy-handed visual juxtaposition. It’s clear the balance of power is shifting at the Hilltop.

Back at Oceanside, Tara attempts to reason with Natania (Deborah May) to get the weapons off the ladies without any bloodshed. Apparently she isn’t given much time to accomplish this because within a few minutes explosions are ringing out and Tara gets grabbed by the grumpy alpha nan.

The explosions were just to distract the Oceansiders, and Rick rather apologetically informs everyone he totes needs those weapons to wipe out the Saviors. Interestingly his words (and heavy ordinance) seem to convince most of the group, except Natania who holds Tara at gunpoint. It looks like Natania is about to cop a shot to the bonce from a tree-sniping Michonne (Danai Gurira) but the waterlogged zombies from the cold open arrive and everyone must band together, albeit briefly.

The salty sea corpses are dispatched in a delightful scene of efficient carnage and impressive special makeup effects and by the end of it everyone supports Team Rick. Everyone that is except Natania who has been knocked out by Cyndie (Sydney Park). It’s a little weird that everyone is so quickly onboard with Rick’s plan to nab the weapons, especially the more potentially fatal elements of it, but it succeeded so… yay?

Back at the Sanctuary Sasha has killed Rapey Davey and Negan all but tells her she’ll be used in some way to hurt Rick. Eugene visits later and Sasha desperately begs for a gun or a knife or some way she can kill herself. It’s a ruse, of course, Sasha wants another crack at killing Negan but Eugene obliges: providing her with the poison he concocted way back in “Hostiles and Calamities”. This was not what Sasha was hoping for and she’s left alone in her cell, wondering just what the hell she was thinking joining Operation Dipshit in the first place.

Finally our conquering heroes, now armed to the teeth, arrive back at Alexandria. They are greeted by Rosita (Christian Serratos) who informs them they have a visitor cooling his heels in their cell. It’s Dwight (Austin Amelio) who tells the gang he wishes to defect and help kill Negan. Rick pulls out his shiny .357 Magnum (aka The Overcompensator) and tells Dwight to get on his knees.

The episode ends with our heroes ready to take on Negan, now with weapons and even perhaps a new ally. “Something They Need” is an enjoyable enough episode with some great-looking zombies and decent tension, but it doesn’t feel like the second last entry before Negan’s reign is ended. In fact I think us Walking Dead fans are just going to have to accept that the Rick vs Negan storyline will probably be dragged on for at least half a season too long. So basically Governor 2.0.

Of course I might be wrong. Perhaps next week’s finale will wrap everything up beautifully but it seems unlikely. Either way I’ll see you back here in seven days.

 

 
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The Walking Dead S714: The Other Side

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

 Well it had to happen eventually, didn’t it? After five solid episodes of The Walking Dead in a row we were probably overdue for a dud. That’s not to say “The Other Side” is without its moments, but it’s far too late in the day (and the season) for such a meandering, talky episode.

The cold open is played mostly without dialogue, which works very much in its favour. We see a montage featuring Maggie (Lauren Cohan) teaching classes in knife yoga (and blade chuckin’), we get a glimpse at the bun in her oven via an ultrasound. We see Sasha (Sonequa Martin) sketching a map of Negan’s HQ with help from Jesus (Tom Payne) and even a beat where Maggie gives some food to a brooding Daryl (Norman Reedus). The message of this latter beat is clear, Daryl may still blame himself for Glenn’s death but Maggie doesn’t. Then Rosita (Christian Serratos) arrives and joins up with Sasha and the talking begins, along with the eye-rolling. I’ve dubbed this idiotic pairing of Sasha and Rosita ‘The Spite Girls’ and their grand plan ‘Operation Dipshit’. Proceed accordingly. Cue opening titles.

After a brief bit of dialogue where Jesus reveals to Maggie that he’s gay (which middle America must just love!) Sasha spends a whole scene trying to rationalise Operation Dipshit to Jesus and Enid (Katelyn Nacon), but it falls flat. It’s hard to believe any character would think Rosita’s plan is a good one, much less Sasha who, while moody, has proven herself capable and intelligent before this.

Then the Saviors arrive, headed by Simon (Steven Ogg) and the Spite Girls exit through a previously unseen secret tunnel hidden under a woodpile that looks like something out of Get Smart. The Saviors want Daryl but he and Maggie hide in the basement.

Operation Dipshit gets off to a slow start because the Spite Girls can’t find a car that works. The problems are further compounded by the fact the pair don’t actually like one another very much, and after Rosita spies Sasha’s necklace from Abraham, she snipes: “Like it? I made it.” Later Sasha suggests that maybe this suicide mission would be better with less suicide, and Rosita harrumphs like a moody teenager who just had her Joy Division collection confiscated until she cleans her room.

Back with the Saviors, Simon menaces everyone while slimy Gregory (Xander Berkeley) brown noses to an embarrassing degree. Eventually it becomes clear that Simon needs to take Doc Carson (R. Keith Harris) who is the brother of the other Doc Carson (Tim Parati) that Negan turned into a woodfired pizza in “Hostiles and Calamities”. Gregory almost stands up to Simon but buckles like a belt when Steven Ogg turns on his “Trevor from GTA V” crazy eyes.

Daryl and Maggie have a slower, less elegant version of the scene in the cold open where Maggie affirms that she doesn’t blame Daryl for the death of Glenn. It’s an adequate moment but in an episode that struggles to find momentum it’s not exactly adding anything new.

The Spite Girls flog a car from some rowdy zombies and make it to The Sanctuary. Looking through the sniper scope they see Eugene (Josh McDermitt) supervising security near his metal-headed zombies. Rosita seems to think Eugene is “playing an angle” but Sasha doesn’t look as sure.

Then the Spite Girls remember they used to be pretty decent characters and bond over shared memories of Abraham, with Rosita filling in her backstory on why she’s so good at defusing explosives and flogging cars. Spoiler alert: it’s because she’s had a lot of shonky exes. The ladies attempt to take a shot at Negan but can’t get a clean one off. Looks like it’s time for Operation Dipshit to begin!

Moving in close, Rosita attempts to “rescue” Eugene who literally starts crying and runs away, apparently to tattle to Negan. Jesus, Eugene, that Stockholm Syndrome kicked in fast, eh mate? Sasha pretends like she’s breaking through the fence but is in fact trapping Rosita on the outside. Sasha has decided it’s not “Rosita’s time” and runs off, shooting a henchman on the way. Rosita looks like she’s ready to have a massive dummy spit when she turns and spies a figure with a crossbow nearby. Is it Daryl? Is it Dwight? We don’t know because flabbergastingly that’s where the episode ends.

“The Other Side” is an adequate 45 minutes of television but for the ante-penultimate episode of Season 7 it can’t help but feel like a bit of a fizzer. Hopefully this will mean the next two eps are thrill-filled crackers, because god knows we don’t want another season six finale cliffhanger situation. Don’t let us down, Walking Dead, or there will be strongly-worded tweets, by crikey!

 
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The Walking Dead S7E13: Bury Me Here

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

 Morgan has in recent seasons become one of the more annoying characters on The Walking Dead. The blame for this rests not on the shoulders of actor Lennie James, who consistently delivers A-grade performances even when he’s working with shonky material, but rather in the maddeningly inconsistent writing for his character.

This is a character who has been with us since the beginning, has featured on one of the best episodes ever, “Clear” from season 3, and still provides solid thrills in his better moments. However his recent conversion to pacifism has gone from mildly interesting to frankly idiotic, but with “Bury me Here” it looks like Morgan’s ready to make war not peace.

The episode begins with a bunch of characters from the Kingdom glaring at a rockmelon. We’re not sure what the piece of fruit has done wrong, other than be the least interesting part of a fruit salad, and the credits begin before we can find out.

We move through dual action of Carol (Melissa McBride) heading into the Kingdom (dispatching zombies with a street sign, bless her heart) and Morgan teaching stick fighting to Benjamin’s younger brother. Carol grills Morgan about Daryl, wanting to know if her best bud was withholding information in his previous visit. Morgan replies that it’s not his secret to tell, leaving Carol frustrated. Benjamin (Logan Miller) tries to bond with Carol on the way out but she wants none of his nonsense and brushes him off. Then Ben gifts Morgan a thoughtful painting and those of us who have been watching The Walking Dead for a while know the little tacker’s days are numbered.

A number of Kingdom members, including Benjamin, Morgan and Richard (Karl Makinen) head off to the drop point to pay their tribute to the Saviors. They’re stopped by a barricade constructed of shopping trolleys and find an empty grave nearby with a sign saying “Bury me Here”. Creepy.

They arrive late at the drop and are one rockmelon short a tribute. The Saviors are none too pleased and it looks like they’re going to kill off one of our heroes. Richard steps forward to take one for the team but the arsehole Saviors shoot Benjamin in the leg instead. Ezekiel and Morgan attempt to save Benjamin at Carol’s place but it’s too late, Benjamin bleeds out and Morgan goes dark. Really dark.

Morgan soon puts the pieces together and realises the whole caper was set up by Richard, who wanted his own death to start the war with the Saviors. Morgan takes Richard’s explanation on the chin, but there’s something going on behind his eyes. Savior tribute round two and the gang deliver one rockmelon (so that explains it!) but before it goes on too long Morgan leaps on Richard and chokes him to a messy, gasping death in front of everyone.

Members of the Kingdom and Saviors alike are frankly horrified, even after Morgan explains the whole nasty business was Richard’s fault. Still the war is delayed for the moment and Morgan decides to obey the sign and buries Richard where the grave was dug. Then Morgan goes on a wild-eyed zombie bashing spree and it’s deliriously wonderful, but he’s clearly unravelling.

Morgan heads back to Carol’s place and finally tells her the truth about Glenn and Abraham. Carol tears up but manages to hold it together long enough to offer the now near-psychotic Morgan use of her halfway house. She won’t be needing it anymore.

Back at the Kingdom Carol arrives in time to plant new life in Ezekiel’s garden where the pair of them agree they will need to fight soon but “not today”. Carol also mentions that she’s moving into the Kingdom. She’s ready to be part of the community. To fight for it and to die for it.

“Bury me Here” is a solid bit of piece-moving that finally gives us back Morgan and Carol ready to fight. It’s a little rough around the edges, and Richard’s plans were deeply dubious, but it seems like the Kingdom’s finally ready to join the war – which is good news for everyone. Except, you know, Negan.

 
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The Walking Dead S7E12: Say Yes

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

It’s almost always good news when Greg Nicotero directs an episode of The Walking Dead. Nicotero started out in the world of special makeup effects, learning under the tutelage of the maestro, Tom Savini, and honed his craft on the set of George Romero’s Day of the Dead (1985). What this means in practical terms is that Nicotero knows how to shoot zombie action and always delivers something fresh and memorable, which isn’t bad for a television series in its seventh season.

Nicotero’s latest, “Say Yes”, is also his nineteenth episode and the man shows no sign of running out of new ways to deliver fresh twists on ambulatory corpses, but more on that in a moment. First a quick recap.

The cold open has Rick (Andrew Lincoln) and Michonne (Dana Gurira) moseying around the countryside in what could quite honestly be its own spin-off show called Scavengin’ and Lovin’ with the tagline “they loot, shoot and occasionally root!” It’s a jaunty little sequence and really plays to the rarely-seen lighter side of both characters, although as Rick suggests they keep on pushing further out the ominous music clues us in to the fact this might be a terrible idea. Cue titles.

Back at Alexandria, Rosita (Christian Serratos) is being unnecessarily dickish to Tara (Alanna Masterson). There’s nothing wrong with Rosita being mad that her ex was clobbered into a fine patch of skull porridge but her petulant, adolescent reaction is winning her no friends. She pops off to find firearms (a recurring motif of “Say Yes”) and is almost eaten by a large mama zombie that looks like it washes itself with a rag on a stick. Rosita lives but scores nothing for her troubles except a kid’s toy gun. Damn you, American children and your realistic-looking toy weapons!

Back with the A plot, Rick and Michonne fall into some supplies. Literally. The roof of the building they’re on collapses and it’s food for all. Even better the nearby carnival is brimming with military zombies who are all packing some serious heat. The loved up duo enjoy each other’s company, and the freshly-found food, as they prepare to take down the zombies in the light of day. Michonne asks Rick “What happens after we win?” Rick claims he doesn’t want a continuation of the Ricktatorship, but would be happy to rule as partners with Michonne. This seems like a sensible course of action.

Meanwhile in the B plots, Rosita is unnecessarily dickish to Father Gabriel for a while and Tara wonders aloud to baby Judith (aka Lil’ Ass-Kicker) if she should tell Rick about the Oceanside community.

Back at the carnival of the damned, Rick and Michonne embark on a mission to clear out the fairground and claim their weapons. At first things run smoothly, with the dead going down nice and easy, however when a well-armed walker accidently pops off a few rounds things turn south and the pair have to improvise. This is the meat of “Say Yes” and it’s totally worth the wait. Seeing two of the show’s most capable characters dispatching zombies, changing weapons on the fly and just managing to escape from certain death is a thrill. Sadly, however, Rick falls off a ferris wheel and is devoured by zombies.

Oh, alright, that doesn’t actually happen – but for a few moments Michonne thinks it does and it sours the mood from dry levity to something darker. Later Michonne laments that she can’t lose Rick, but Rick disagrees. “You can lose me,” he says in a surprisingly nuanced argument for The Walking Dead, “It’s not about us anymore, it’s about a future.”

Then we’re back to Junktown where Rick does some more sexy bartering with Jadis (Pollyanna McIntosh), queen of the Scavengers (aka Heapsters) who agrees to fight but only after she receives yet more weapons. Tara has wrestled with her demons and approaches Rick, apparently to tell him about the Oceansiders. Things are moving forwards and the plan appears to be gathering steam.

The episode concludes with Rosita approaching Sasha (Sonequa Martin) but instead of being unnecessarily dickish, she proposes the pair of them join forces and take out Negan by themselves, alone, with a single sniper rifle. It’s a plan so bad that the term “face-palmingly fucking stupid” is woefully insufficient a descriptor and yet apparently rendered simple-minded by grief Sasha agrees as long as she can fire the killing shot. Odds are high that at least one of this pair won’t be back for season eight.

“Say Yes” is a solid, fast-paced and frequently funny episode that skillfully matches striking imagery – fairground zombies, a walker falling to pieces in Rick’s hands, a wandering deer amidst the carnage – with genuinely solid character work in the A plot. The notion that society could, and indeed has to, continue after our heroes are gone is a strong one and perhaps hints at a potential endgame for the series.

 
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The Walking Dead S7E11 – Hostiles and Calamities

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

What’s it like to be the henchman of a truly evil person? That’s the question that underlies every scene in this week’s quirky detour, “Hostiles and Calamities”. The theme is explored through the experiences of two of the show’s most eccentric characters, Eugene (Josh McDermitt) and Dwight (Austin Amelio) with a number of tense appearances from Negan (Jeffrey Dean Morgan), who is a much more effective villain when used sparingly, but more on that later.

We open with Dwight discovering Daryl has flown the coop and Eugene getting delivered to Negan’s compound aka The Sanctuary. It’s a nice juxtaposition, as Dwight is one of Negan’s favoured acolytes and Eugene is a hostage, literally bound with a sack over his head, but we’re about to see a rather neat reversal of fortune.

Eugene is dragged towards what we imagine will end up being a grim and grisly cell but is in fact a totally terrifying… comfortable-looking room! He’s then offered a meal and is left to his own devices. His fridge is full, the stereo works and Eugene cranks that bloody ‘Easy Street’ song. Enjoy having that stuck in your head for another week. Thanks a bunch, Walking Dead.

The Walking DeadDwight meanwhile ponders the note Daryl received that reads “Go now”. Does he recognise the handwriting or is he just an ardent fan of neat penmanship? His train of thought is abruptly derailed as Negan is at the door with a group of Saviors. Poker night for the boys? No, actually it’s a savage beating for Dwight. Negan is evidently displeased by Daryl’s escape and perhaps something else? Cue the opening titles.

The next day Dwight, found lounging in Daryl’s old cell, receives a visit from Negan. Apparently Sherry (Christine Evangelista) former wife of Dwight and current “wife” of Negan, has done a runner. Negan wants to know if she helped Daryl and, perhaps more importantly, where she is. After reestablishing his dominance over Dwight with a classic “Who are you?”, “I’m Negan” exchange, Dwight says he’ll find Sherry and bring her back, first paying creepy, gaunt-looking Dr. Carson (Tim Parati) a visit to get his busted mug fixed. No shade, Dwight, but that’s like pouring perfume on a pig, mate.

Eugene meanwhile gets a brief tour of what looks like the most depressing post-apocalyptic version of Paddy’s Markets imaginable and scores a jar of pickles for his troubles. He’s then lead outside where Negan quizzes our clearly-on-the-spectrum hero about just how smart Eugene really is. Initially, it does not go well, and Eugene delivers a stumbling, flustered monologue about his own intelligence to little avail. As if to punctuate just how badly he flopped a nearby zombie drops its guts, leading Negan to ask how Brains Trust would fix the problem of fence zombies falling apart like poorly-rolled burritos. Eugene comes up with an insane plan that involves pouring molten lead over the walkers. Naturally Negan loves it, praising the idea as “not only practical… it is just badass!” Eugene lives to eat more pickles, but just what game is he playing?

As a reward for his grand idea, Doctor Smartypants (Eugene’s new nickname) gets a visit from three of Negan’s wives. Frankie (Elyse Nicole DuFour), Tanya (Chloe Aktas) and Amber (Autumn Dial) all purr and coo at Eugene who plays Yar’s Revenge on an old Atari 2600. Eventually the ladies convince Eugene to perform a few explosive science experiments and the mulleted one delivers, getting awkward hugs and mild sexual tension for his efforts. Eugene, you lady killer.

Meanwhile Dwight searches his old house and finds a note from Sherry. Sherry apologises for leaving, but claims they never should have returned to the Saviors. Even though that course of action was Sherry’s idea, the note concludes with “I loved who you were – I am sorry I made you into who you are” and Dwight finds his former wife’s wedding rings inside. It’s a surprisingly emotional moment and one can almost sympathise with Dwight’s plight, although a lot depends on what he does next.

Meanwhile back at The Sanctuary, Frankie and Tanya beg Eugene for a suicide pill to give Amber. Amber has fallen into a dark and abiding depression and wants to shuffle off this mortal coil painlessly and soon. This seems a lot to lay on the big fella, but Eugene mumbles and nods his assent and uses his newfound status to score meds at the market, not to mention a bedpan, flyswatter and cuddly toy.

Dwight returns and tells Doc Carson that Sherry was torn apart by walkers. Carson is about as sympathetic as a particularly callous brick and one wonders why the scene exists at all. The question is answered in the next sequence where Negan is heating up the branding iron in the furnace. It seems a note has been found in the not-very-good doctor’s belongings, implying that he wanted to impress Sherry by releasing Daryl to curry her sexual favour. A ripped bit of paper seems a fairly thin piece of evidence, but Negan is convinced and offers Carson the iron or the apology. Because Carson has clearly never watched the show before, he admits his guilt, apologises and gets chucked into the furnace.

Eugene gets a final visit from Frankie and Tanya but it doesn’t go well for the ladies. Eugene is hip to their plan, which is to poison Negan, and will not be a part of that. “You’re a coward!” the ladies spit, “That is a correct assessment” Eugene replies. Later Negan visits and it’s time to ask Eugene the big question, but Eugene is so ready to answer he doesn’t even let Negan finish asking: “I am utterly, completely, stone-cold Negan.” Oh, Eugene, say it ain’t so.

The final scene shows Eugene’s molten-lead-on-the-walkers plan being implemented while Eugene munches on a pickle. For him there is a sense of belonging here, even if it comes at the cost of personal freedom and dignity. Dwight sidles up next to him and the compromised pair chat awkwardly. “We are Negan” Eugene says. “Yeah,” Dwight replies.

“Hostiles and Calamities” is a strange episode, offering a mixture of deadpan humour, quirky dialogue and genuinely threatening Negan all at the same time. It’s light on zombies and violence but it does offer an interesting glimpse into the henchman’s dilemma. Is it really is it better to die on your feet than live on your knees? For Dwight the court’s still out, but for Eugene – when slavery comes with an Atari 2600 and all the fresh pickles you can eat – it seems he’s all too willing to bend the knee.