After years of ‘will he? won’t he?’, Pedro Almodóvar has finally gone and done it. The great Spanish filmmaker behind Women on the Verge of a Nervous Breakdown, All About
James Mottram
When we join Sean Baker, the filmmaker is still “processing” the remarkable journey that his new film Anora has been on, in particular, its sensational win at this year’s Cannes
“It’s been a good year for us,” declares Payal Kapadia, the director of the beguiling Mumbai-set drama All We Imagine as Light. She’s talking about the way Indian cinema invaded
“Living in Iran... you cannot imagine how hard it is,” says Maryam Moghaddam. She is joined in the chat by her creative and life partner Behtash Sanaeeha. Together, they’re behind
Veteran Polish filmmaker Agnieszka Holland (Europa Europa, Olivier, Olivier, Mr. Jones) returns with Green Border, one of the most powerful films of the past year. Awarded the Special Jury Prize
One of the very strange images at the centre of the hilariously weird satire Rumours is a giant brain – a pulsating organ found glowing in a forest clearing. Just
One of the most outlandish films you’ll see all year, Sasquatch Sunset is the brainchild of sibling filmmakers David and Nathan Zellner, who previously made the 2018 offbeat western Damsel
“To me, it’s what we call in the trans community, an ‘egg crack’ movie,” says writer-director Jane Schoenbrun, talking about their beguiling new sci-fi/horror I Saw the TV Glow. Schoenbrun,
Yorgos Lanthimos is back, the director unleashing his second film in nine months with Kinds of Kindness. Bowing this year in Cannes, Kinds of Kindness caps a remarkable run for
With its title, you could easily be fooled into thinking Monster is a horror film.
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