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Game of Thrones S7 E2: Stormborn

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

Last week’s episode of Game of Thrones, “Dragonstone”, put all the pieces in place and today’s episode, “Stormborn”, is all about taking the first faltering steps on the march to war. So what happens? A shitload, so let’s recap.

We open with a storm lashing Dragonstone. There’s a war room meeting with Daenerys (Emilia Clarke), Tyrion (Peter Dinklage) and Varys (Conleth Hill). There’s little love lost between Dany and Varys, the former believing the latter to be disingenuous and disloyal. Varys delivers a typically eloquent rebuttal and an uneasy alliance is formed between the pair, on the condition that if Varys betrays Dany she’ll burn him alive. Classic Targaryen.

Next minute Melisandre (Carice van Houten) pops in to hitch her wagon to Dany’s team. Her prophecy has been amended from “the prince who was promised will bring the dawn” to “the prince or princess who was promised will bring the dawn”. Tyrion observes that it’s something of a mouthful but Dany approves. Melisandre suggests Dany forge an alliance with Jon Snow (Kit Harrington) and Tyrion chimes in, saying he likes and trusts Snowy and “I am an excellent judge of character”. Dany agrees, on one condition: Jon has to bend the knee. Tyrion gets an uncomfortable look on his face. Always with the knee-bending, these people.

Meanwhile, at King’s Landing, Cersei (Lena Headey) is laying on the anti-Daenerys propaganda from atop the Iron Throne. Afterwards, Jaime (Nikolaj Coster-Waldau) impresses upon Randyll Tarly (James Faulkner) the wisdom of choosing to side with the Lannisters and the queen. More specifically Jaime reckons it’d be pretty great if Olenna Tyrell (Diana Rigg) would meet with a messy end. Tarly is tempted by Jaime’s silver (or should that be golden?) tongue, so Olenna better watch her back.

Winner of ‘Westeros’ Most Creepy’ five years running, Qyburn (Anton Lesser) shows Cersei what he reckons is the perfect solution to their dragon problem. He unveils… a big, fuck-off crossbow and has Cersei fang a bolt into a massive dragon skull. Cersei approves.

Back in Dragonstone’s war room a plan is beginning to emerge. The Iron Fleet will take Ellaria Sand’s (Indira Varma) Dornish soldiers to King’s Landing to lay siege alongside Olenna Tyrell’s army. “Two great kingdoms united against Cersei” is how Tyrion pitches it. Olenna is salty and wants to know exactly what he and Dany bring to the table. Tyrion answers that they’re going to take out the Lannister’s seat of power: Casterly Rock. Everyone grudgingly admits that, yeah – that’s actually a pretty good plan – although Olenna doesn’t trust Tyrion or “clever men” in general.

Later Grey Worm (Jacob Anderson) and Missandei (Nathalie Emmanuel) end their will they/won’t they arc by falling squarely on the former. Certainly Grey Worm may be lacking in the penis department (such is the price of being an Unsullied) but he can use his mouth quite well, judging from Missandei’s reaction, and we’re treated to an oddly tender sex scene that is consensual and no one dies. Which in GoT is a huge win.

Elsewhere Samwell (John Bradley-West) has decided he’s going to use a banned technique to cure Jorah Mormont’s (Iain Glen) greyscale. Archmaester and fantasy-version-of-a-climate-change-denier, Marwyn (Jim Broadbent) has specifically forbidden Sam from doing so but the big fella will not be stopped. Sam begins to pick Jorah’s scabs, politely asking him not to scream, and we’re treated to the grossest segue way in the show’s history as we juxtapose scab picking and pus to a close up of moist pie crust.

Speaking of pie, it’s Hot Pie (Ben Hawkey)! Remember him? Well Arya (Maisie Williams) does and the pair exchange pie-cooking tips in a tavern. Hot Pie express surprise at Arya’s destination being King’s Landing, after all Jon Snow is back at Winterfell. Arya is shocked and happy to hear this news and leaves the tavern, mounts her horse and has a moment of indecision. Does she head to King’s Landing to kill the queen, or see Jon? It’s a choice between revenge and family and – this time at least – Arya chooses family. It’s a sweet moment.

Speaking of Jon, Samwell’s message regarding the mountain of dragonglass at Dragonstone has arrived. This makes up Snowy’s mind, and despite the protestations of almost everyone at court, he’s off to see Dany. Sansa (Sophie Turner) is particularly adamant that Jon shouldn’t go, asking who the hell he’s going to leave in charge! “Until I return, the North is yours.” Jon replies, which does rather suit Sansa if we’re being completely honest.

Before Jon departs, Petyr Baelish (Aidan Gillen) tries to ingratiate himself to Jon by mentioning Catelyn and Sansa. It doesn’t go well. Jon gives Littlefinger a big choke, and tells him to stay away from his sister unless he wants a savage beatdown out the back of Macca’s carpark.

Finally, aboard the Iron Fleet, Theon (Alfie Allen) and Yara Greyjoy (Gemma Whelan) share a cabin with Ellaria. Yara and Ellaria get along like a house on fire – a sexy house, mind you – and try to enlist Theon in a threeway. As we’ve already seen this episode, lacking a todger doesn’t need to end the boudoir activities, but before anything can happen the whole caper is savagely cockblocked by Euron Greyjoy (Pilou Asbæk) who smashes fair into the fleet.

We’re treated to the first large scale battle scene of season seven and it’s as bloody and visceral as you could hope for. The casualties of the battle include two of the Sand Snakes – Obara (Keisha Castle-Hughes) and Nymeria (Jessica Henwick) – with Ellaria and Tyene (Rosabell Laurenti Sellers) captured by Euron’s men. Could this be his gift to Cersei? Euron also manages to best Yara in battle, holding her at knife point and goading Theon into action. This is Theon’s moment to prove his redemption arc is for real… but instead he turns craven and dives off the side of the boat.

Theon survives but the Iron Fleet is in tatters, proving that the best laid plans can go tits up when you’re up against a sexy pirate man.

All in all “Stormborn” is an effective and surprising hour of television. Everyone’s motivations feel faithful to the characters and the battle has genuinely changed the stakes, reminding us that everything is up for grabs and no one is safe in Westeros. Euron continues to feel like a fresh, vital character and his barnstorming battle scene is as exciting as it is dismaying.

Hopefully next week team Dany will have more luck with Casterly Rock, and we’ll be here to chat about it.

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Game of Thrones S7E1: Dragonstone

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

Season six of Game of Thrones was all about catharsis. After a slow start, a bunch of things that had been a long (loooong) time coming all occurred. Ramsay Bolton (Iwan Rheon) finally got his well-deserved comeuppance at the hands of Jon Snow (Kit Harington) and Sansa Stark (Sophie Turner), via the medium of fists and hungry hounds. Sansa’s sly smile as she walked away from a screaming, partially ingested Ramsay was a darkly triumphant season highlight. The alliance between Daenerys Targaryen (Emilia Clarke) and Tyrion Lannister (Peter Dinklage) bore fruit in the form of a fleet of ships, delivered by dickless wonder, Theon Greyjoy (Alfie Allen) and Yara Greyjoy (Gemma Whelan). Oh and Cersei Lannister (Lena Headey) turned an entire oppressive religion into a pretty plume of green flame, which was rather wonderful in a ruthless, homicidal sort of way.

Put simply, Season seven has a lot to live up to – so how does the first episode shape up? Let’s have a look at what happens, first.

We open with one of the strongest cold opens imaginable. Walder Frey (David Bradley) is serving an opulent feast for all his dirtbag relatives, most of whom played an integral part in that fan-shocking massacre, The Red Wedding. “But wait,” you – the confused viewer – say, “didn’t that bloke die in the season six finale?” Indeed he did, and after Walder proposes a toast – and everyone drinks – it soon becomes clear that Walder is in fact Arya (Maisie Williams) in disguise and the wine they just quaffed is poison. All the guilty die choking and coughing blood, and Arya informs the blameless survivors that “the North never forgets,” and to tell them that “winter came for house Frey”.

Opening titles and high fives or fist bumps all around.

The next thing we see is the army of the dead, led by the Night King (Richard Brake), heading closer to the realm of man. And what’s that, skeletal-faced zombie giants? It’s like a snowy Slayer album cover and it’s amazing. We move from this vision to see Bran Stark (Isaac Hempstead Wright) arriving at The Wall. He informs those present that the White Walkers are on their way. Bran’s cheery like that. Great fun at parties.

Elsewhere Jon is holding a big old staff meeting. He needs more dragonglass to take on the army of the dead, and starts delegating jobs and positions for the coming battles. Also feminism has hit the seven kingdoms, and man and woman alike will be drafted. Sansa speaks up one time too many and we can see the tension between the siblings. Afterwards Sansa affirms her love for her brother, but tells him he needs to be “smarter than Ned or Robb”. They were both good men, who made terrible decisions and were killed for it. Sansa’s not wrong, being righteous and honourable makes little sense unless tempered with pragmatism. Jon, you’d do well to listen to your sister. You certainly wouldn’t want her as your enemy…

Meanwhile at King’s Landing, Cersei and Jaime Lannister (Nikolaj Coster-Waldau) stand atop a map of Westeros and lament their position. They’re surrounded by enemies on all sides and Cersei has plans to form a new alliance. Cut to: exterior and a fleet of Iron Island ships arrive. It’s Euron Greyjoy (Pilou Asbæk) who addresses Cersei as she sits on the Iron Throne. Euron is a cheeky bugger and manages to throw shade at Jaime, and flirt outrageously with Cersei. Cersei coldly turns down his marriage proposal, but Euron is undaunted. He will return, he claims, with a priceless gift, but what gift? Tyrion? A fleet of ships? A PS4 Pro? It remains to be seen. What we do know, however, is that Cersei is wasting no time grieving for her children. “We’re the only Lannisters left,” she tells Jaime, amending: “the only ones who count.”

Meanwhile Samwell Tarley (John Bradley-West) is finding life in Oldtown’s Citadel library is not quite as bookish as he’d like. In fact, between serving food, cleaning out bedpans and weighing internal organs, he’s rather disillusioned. He asks the Archmaester (wonderfully played by Jim Broadbent) when he can read the restricted texts and help save the world, but the Archmaester just smiles and tells him to calm his tits. Humanity has survived chaos before, the Archmaester opines, and it will do so again. The maesters must record everything and keep history alive, basically like a high fantasy Wikipedia. Sam agrees but sneaks some of the restricted books out, reading the GoT FAQ he finds out there is more dragonglass in Dragonstone, which – you know – he probably could have guessed. The clue’s in the name, Sam, have a word with yourself.

Meanwhile Arya runs across an Ed Sheeran in the wild (but doesn’t kill him, what the hell, GoT?!) and Sandor “The Hound” Clegane (Rory McCann) appears to be on a path to redemption. Both plot strands are fine, but really are just killing time for the episode’s final moments.

In a sequence that is evocative as it is free of dialogue, Daenerys arrives at Dragonstone. She smiles and her dragons fly around the severe-looking castle. Danys touches the ground, walks through the gates, enters the throne room and finally the room where another familiar-looking map sits, gathering dust. Tyrion stands by her side, her other followers outside the room, and finally she speaks, saying: “Shall we begin?”

Dragonstone is a strong episode and perfect for a season return, especially with the cold open and ending. It’s probably not an episode to revisit time and time again, but it economically and effectively reminds us of all the main players, reinforces the conflicts and the stakes, and sketches out an idea of this season’s arc.

It’s an exciting time to be a Game of Thrones fan, with the story reaching its conclusion next season, so we’re expecting big, game-changing, seismic events to occur and we’ll be here to talk about them. Welcome back, GoT! Please don’t kill Arya.

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Outcast Season 2

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While The Walking Dead takes a break until later in the year, comic book wunderkind Robert Kirkman’s other adapted property, Outcast is ready to unleash its second season. Outcast’s story is a smarter, more intimate portrait of a small, working class town infested by a plague of demons. Although the concept of what a demon actually is, and how organised religion may be wrong in its assessment of the same, is the meaty subtext that gives Outcast its provocative point of difference to other possession stories.

When we last saw Kyle (Patrick Fugit) he was leaving Rome, West Virginia, with his daughter, Amber (Madeleine McGraw) after encounters with the devilish Sidney (Brent Spiner). The road trip scenario doesn’t last long, however, as Kyle realises the demons are spread wider and further than first imagined. Kyle heads back home to get help from the increasingly unhinged, Reverend Anderson (John Glenister) who has problems of his own…

The first two episodes of Outcast season two drip with mood and atmosphere, with implications that Kyle’s ability to fight demons is part of a far reaching and layered narrative we’re thus far only getting tantalising hints of. What exactly are these demons and why are they here? Is their agenda evil or simply pragmatic? And if religion has misunderstood the nature of demons where does that leave a priest who is already struggling with his faith?

Outcast remains the best TV show you’re currently not watching, so if you like your horror stories gripping with a side order of subtext, you’d be doing yourself a profound disservice by missing this moody masterpiece.

Outcast season 2 starts airing Monday April 10 on FX.

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Shots Fired

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Shots Fired covers the investigation of a shooting of a young white man by a black cop, in a small southern US town. The state governor Patricia Eamons (Helen Hunt) is accommodating and welcomes the investigation, though local Sheriff Platt (Will Patton) and his Lt. Breeland (True Blood’s Stephen Moyer) are less than forthcoming, closing ranks. Department of Justice lawyer Preston Terry (Stephan James) and his investigator Ashe Akino (Sanaa Lathan) are soon asking questions of witnesses and the victim’s family but they become mired in a hotbed of local police politics and social activism as local Pastor, Janae James (Aisha Hinds) sees an opportunity to politicise the killing, using it as activist fodder within the community and inflaming tensions. As they dig deeper, Terry and Akino’s investigation is met with silence and a troubling undercurrent of fear amongst local black residents, impeding their case.

Created by Reggie Rock Bythewood and Gina Prince-Bythewood (who both got their start on Bill Cosby’s A Different World but have gone on to much more ‘respectable’ work such as the film Beyond the Lights), this crime ensemble drama has currency at the moment. The People vs OJ Simpson was a surprise hit and along with the set-and-forget reliability of the TV police procedural that refuses to die, it seems that cable TV has forced network TV to be a little smarter in how it delivers the cop drama staple.

The recent real-life spate of police killing black youths is the primary discussion here with the main story being an interesting inversion of that narrative. A mash-up of Law and Order and In The Heat of the Night that largely works, Shots Fired isn’t afraid to tackle some heavy social issues and do it with smarts and surprisingly, some nuance.

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The Walking Dead S7 E16: The First Day of the Rest of Your Life

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

Well here we are – the season seven finale of The Walking Dead and the shambling show’s ninety-ninth episode! Season seven has been an odd one. On the one hand we had bold, shocking episodes like the season opener “The Day Will Come When You Won’t Be” and enjoyably goofy adventures in splatter like “Rock in the Road”, not to mention Richonne-centric episode “Say Yes”. However those high points have often been floundering next to oddly-paced efforts like “Swear” and “The Other Side”.

What this season needed was a kick-arse, game-changing, jaw-dropping finale that will make the occasional stumbles feel worthwhile. So is “The First Day of the Rest of Your Life” that episode? Partially, yes, but we’ll get back to that in a bit.

The episode opens with a creepy close-up of Sasha’s (Sonequa Martin-Green) sweaty face. She appears to be in a small dark room and is listening to music on an iPod. Is she dying, crying or passing out? We don’t know yet and we’ll be revisiting this strong image throughout the episode.

After the opening titles, and a quick visit to Sasha again, we head into a flashback where Sasha recalls her final day with Abraham (Michael Cudlitz). The pair of them are still in the early period of their relationship and Sasha has had a nightmare about Abe’s death. It soon becomes clear they’re about to leave on the journey at the end of which Abraham gets his proud ginger bonce flattened. It’s a bittersweet memory that we’ll be returning to throughout the episode’s extended runtime.

Back at Alexandria, Rick (Andrew Lincoln) is grilling Dwight (Austin Amelio) about why he wants to help them. Dwight claims he wants Negan dead, but Daryl (Norman Reedus) and Tara (Alanna Masterson) would quite happily kill the scarred defector on the spot. Cooler heads prevail and Dwight is allowed to initiate a plan to kill Negan. As Dwight drives off Daryl observes he’s “gonna kill that sum’bitch” when everything’s all over. For that “Easy Street” song alone, we’re with you, Dazza.

Meanwhile in Sasha’s cell, Negan (Jeffrey Dean Morgan) is talking to Sasha about how peace can reign after “Lucille takes three”. Sasha is horrified by this revelation and cunningly talks Negs down to one. “Just one person has to die,” she says in a way that pretty much guarantees we won’t be seeing her in season eight.

At the Hilltop, Maggie (Lauren Cohan) pitches her plan to help Rick to Jesus (Tom Payne). Jesus agrees with her and offers that it’s good Maggie is the one giving the order as it seems Gregory (Xander Berkeley) has done a runner, possibly to dob on our heroes. Fuck’s sake, Gregory, Maggie saved you from two zombies last week! Have a word with yourself.

Elsewhere the Kingdom is on patrol. They come up against a line of shopping trolleys, a technique last seen in “Bury Me Here”. Morgan (Lennie James) emerges from the shadows and, just in case you hadn’t realised how crazy he was, we can see he’s sharpened his staff into a spear. Morgan is clad in Benjamin’s armour and doesn’t seem keen to join with the Kingdom until Ezekiel (Khary Payton) delivers a speech that declares, “No one will suffer under [The Savior’s] capricious malevolence again!” When a bloke with a tiger says stuff like that it’s hard not to fall in line, and Morgan walks next to Carol (Melissa McBride) as they march to war.

Back at Alexandria the Bin Chickens (aka Heapsters) arrive on pushbikes and garbage trucks. Yes, they drive actual garbage trucks. They’re thematically consistent, which you’ve gotta admire. Jadis (Pollyanna McIntosh, who can do no wrong) looks Rick over and asks Michonne if she can: “Lay with him after. You care?” Clearly Michonne would care but Rick seems at least at a little tempted.

We move into a tension-building sequence where we cut back and forth between Alexandria preparing for war and Negan approaching, slowed down by Dwight’s felled tree trap. This is a beautifully scored sequence and really amps up the expectations for the violence to come.

The Saviors finally arrive but something seems off. For a start, Eugene (Josh McDermitt) is standing in for the big fella. When Rick asks where Negan is, Eugene answers: “I am Negan.” Rick’s had about enough of this bullshit and he gives Rosita the nod for her to spring her explosive trap. She presses the button and… nothing. What’s going on? Cue the episode’s best twist. The fucking BIN CHICKENS turn on our heroes, bamboozling the ENTIRE COMMUNITY OF ALEXANDRIA with the weapons they themselves fought so hard to get. What the hell, Pollyanna McIntosh, we literally said you could do no wrong two paragraphs ago!

Personal feelings aside this is a really excellent and surprising development. Alexandria is suddenly on the back foot and Negan enters, holding Lucille and grinning the smuggest of smug grins. Apparently Negan just made a better deal with the Bin Chickens (booo!) which, you know, Rick probably should have allowed for. Negan wants the following: all the guns, a victim for Lucille (of Rick’s choosing, no less), Daryl and a pool table – with cues and chalk. Rick, on the other hand, wants to see that Sasha is still alive. Negan presents a coffin which he begins to open…

We go into a recent flashback where Sasha claims she’ll ride in the coffin, and all she wants is a small bottle of water. This apparently gives Negan a major boner but he lets it happen. We finally understand what we’ve been flashing back to: Sasha riding in the coffin after swallowing Eugene’s suicide pill.

So when Negan opens the coffin, zombie Sasha lurches out, trying to take a big bite out of his tasty flesh! The bamboozler has become the bamboozled! Rick and a number of Alexandrians use the opportunity to fight back against the Bin Chickens and Saviors, and a messy gunfight ensues. Rosita (Christian Serratos) cops a bullet but is dragged to safety by Tara. Michonne has a nasty battle with a random Bin Chicken. Rick attempts to do some sexy bartering with Jadis but instead of joining in like usual she just shoots him in the thigh. So, you know, a little less sexy than usual.

The uprising is thwarted. Rick ends up on his knees next to Carl (Chandler Riggs) and Negan delivers a big old speech that we know will end with Carl getting his head turned into skull hommus. Someone falls off the sniper’s perch and Rick seems to believe it’s Michonne. Negan crows to Rick about the bad shit that’s about to happen but Rick reminds him that he, in fact, will kill Negan no matter what. Negan fury chuckles and hefts Lucille…

… when SHIVA THE FUCKING TIGER jumps into the fray and starts eating Saviors! The Kingdom has arrived! The Hilltop has arrived! And did we mention the motherflipping tiger? The tide has seriously turned and the the Bin Chickens and Saviors all bid a hasty retreat, taking heavy casualties along the way. Negan leaves Alexandria, defiantly offering a one-fingered salute as he goes. Rick finds Michonne badly beaten but alive.

Back at the Sanctuary, Negan is pissed off. He quizzes Eugene on how Sasha died. Eugene lies and claims she must have suffocated but Negan seems suspicious. Maybe Eugene isn’t quite as Negan as he claims? Regardless, the boss man addresses his troops, saying “we’re going to war!” Everyone cheers. These boys love a fight.

The episode ends with a bittersweet conversation between Rick and Maggie delivered in voice over. During the talk we see Jesus take down walker Sasha and Maggie pulling out her knife to finish her off. Carol and Morgan share a moment, bloodied from battle. Daryl discovers a message from Dwight that he “Didn’t Know”, but do we trust him? Alliances are affirmed and the battlelines drawn. It’s a surprisingly emotional sequence that leans heavily on the viewer’s nostalgia for the previous six seasons, but works nonetheless.

“The First Day of the Rest of Your Life” is not the all out war some viewers may have been hoping for. As we predicted in last week’s review, it’s more the first battle of many rather than the concluding chapter. Our heroes will be fighting Negan for some time yet to come, but if that’s the case at least they’re united with a common goal which will hopefully lead to more focus in the storytelling.

Greg Nicotero does a superb job as usual with everything except some of the gunplay in the episode’s second half, which felt oddly clumsy. However that’s easily forgiven when you consider the tiger attack, trio of big surprises and the solid character work with Sasha – we shall miss you, Sonequa Martin-Green.

Ultimately “The First Day of the Rest of Your Life” is a solid, course-correcting conclusion to a shambolic, occasionally directionless season. It sets up a eighth season of proactive storytelling and, hopefully, will dig into some of Negan’s backstory… before he gets killed in a horrifically graphic fashion, that is.

So that’s FilmInk’s coverage of season seven done for the year. Thanks for reading and we’ll see you back for weekly coverage of both Fear the Walking Dead and Game of Thrones in the coming months.

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The Walking Dead S714: The Other Side

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[SPOILER WARNING: Please don’t read unless you’ve seen the episode. I mean, come on, you know how this works]

 Well it had to happen eventually, didn’t it? After five solid episodes of The Walking Dead in a row we were probably overdue for a dud. That’s not to say “The Other Side” is without its moments, but it’s far too late in the day (and the season) for such a meandering, talky episode.

The cold open is played mostly without dialogue, which works very much in its favour. We see a montage featuring Maggie (Lauren Cohan) teaching classes in knife yoga (and blade chuckin’), we get a glimpse at the bun in her oven via an ultrasound. We see Sasha (Sonequa Martin) sketching a map of Negan’s HQ with help from Jesus (Tom Payne) and even a beat where Maggie gives some food to a brooding Daryl (Norman Reedus). The message of this latter beat is clear, Daryl may still blame himself for Glenn’s death but Maggie doesn’t. Then Rosita (Christian Serratos) arrives and joins up with Sasha and the talking begins, along with the eye-rolling. I’ve dubbed this idiotic pairing of Sasha and Rosita ‘The Spite Girls’ and their grand plan ‘Operation Dipshit’. Proceed accordingly. Cue opening titles.

After a brief bit of dialogue where Jesus reveals to Maggie that he’s gay (which middle America must just love!) Sasha spends a whole scene trying to rationalise Operation Dipshit to Jesus and Enid (Katelyn Nacon), but it falls flat. It’s hard to believe any character would think Rosita’s plan is a good one, much less Sasha who, while moody, has proven herself capable and intelligent before this.

Then the Saviors arrive, headed by Simon (Steven Ogg) and the Spite Girls exit through a previously unseen secret tunnel hidden under a woodpile that looks like something out of Get Smart. The Saviors want Daryl but he and Maggie hide in the basement.

Operation Dipshit gets off to a slow start because the Spite Girls can’t find a car that works. The problems are further compounded by the fact the pair don’t actually like one another very much, and after Rosita spies Sasha’s necklace from Abraham, she snipes: “Like it? I made it.” Later Sasha suggests that maybe this suicide mission would be better with less suicide, and Rosita harrumphs like a moody teenager who just had her Joy Division collection confiscated until she cleans her room.

Back with the Saviors, Simon menaces everyone while slimy Gregory (Xander Berkeley) brown noses to an embarrassing degree. Eventually it becomes clear that Simon needs to take Doc Carson (R. Keith Harris) who is the brother of the other Doc Carson (Tim Parati) that Negan turned into a woodfired pizza in “Hostiles and Calamities”. Gregory almost stands up to Simon but buckles like a belt when Steven Ogg turns on his “Trevor from GTA V” crazy eyes.

Daryl and Maggie have a slower, less elegant version of the scene in the cold open where Maggie affirms that she doesn’t blame Daryl for the death of Glenn. It’s an adequate moment but in an episode that struggles to find momentum it’s not exactly adding anything new.

The Spite Girls flog a car from some rowdy zombies and make it to The Sanctuary. Looking through the sniper scope they see Eugene (Josh McDermitt) supervising security near his metal-headed zombies. Rosita seems to think Eugene is “playing an angle” but Sasha doesn’t look as sure.

Then the Spite Girls remember they used to be pretty decent characters and bond over shared memories of Abraham, with Rosita filling in her backstory on why she’s so good at defusing explosives and flogging cars. Spoiler alert: it’s because she’s had a lot of shonky exes. The ladies attempt to take a shot at Negan but can’t get a clean one off. Looks like it’s time for Operation Dipshit to begin!

Moving in close, Rosita attempts to “rescue” Eugene who literally starts crying and runs away, apparently to tattle to Negan. Jesus, Eugene, that Stockholm Syndrome kicked in fast, eh mate? Sasha pretends like she’s breaking through the fence but is in fact trapping Rosita on the outside. Sasha has decided it’s not “Rosita’s time” and runs off, shooting a henchman on the way. Rosita looks like she’s ready to have a massive dummy spit when she turns and spies a figure with a crossbow nearby. Is it Daryl? Is it Dwight? We don’t know because flabbergastingly that’s where the episode ends.

“The Other Side” is an adequate 45 minutes of television but for the ante-penultimate episode of Season 7 it can’t help but feel like a bit of a fizzer. Hopefully this will mean the next two eps are thrill-filled crackers, because god knows we don’t want another season six finale cliffhanger situation. Don’t let us down, Walking Dead, or there will be strongly-worded tweets, by crikey!

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The relationship between the highly prolific showrunner Ryan Murphy (Glee, American Horror Story, American Crime Story: The People vs OJ Simpson) and US cable network FX has been a largely fruitful one. When Murphy pitched the idea for his latest effort, Feud, a themed series that depicts famously combative relationships with the maiden series covering the filming of Whatever Happened to Baby Jane? and the bitter rivalry between Joan Crawford and Bette Davis, FX head honcho John Landgraf immediately gave the thumbs up. It’s intended that each series will cover a different real-life feud, with the next series focusing on the tumultuous relationship between Prince Charles and Princess Diana.

Joan Crawford (Jessica Lange) trawls dozens of novels that feature strong female characters in order to find a project for herself, given the dearth of decent roles for women of her age and stature. She stumbles across Whatever Happened to Baby Jane? about two sisters and decides to offer the co-lead to her arch rival Bette Davis (Susan Sarandon). She ropes in Robert Aldrich (Kiss Me Deadly, Flight of the Phoenix, The Dirty Dozen, played by Alfred Molina here) to direct. Aldrich ends up as the meat in the emotional sandwich as these two golden age goddesses hammer away at each other’s neurotic self-image and deep-seated sense of inferiority. Jack Warner (Stanley Tucci) is adamant that Aldrich keep the two former screen sirens at each other’s throats because of the tremendous publicity that gossip columnist Hedda Hopper (Judy Davis) is giving the production. As every day throws a new headline and a new volcanic meltdown on set, Aldrich does his best to play the two off against each other as the actresses both begin to fray at the edges. Catherine Zeta-Jones and Kathy Bates plays actresses Olivia de Havilland and Joan Blondell respectively.

The show looks fantastic and it is clear Murphy and his team relish the production design and style of the era. As a slice of old Hollywood history, it’s nice to bask in the recreation of the period.