If the world isn’t already in a constant state of anxiety facing down the existential threat of AI and divisive wars, then Hollywood clearly believes we want even more scares
It’s scrappy, it’s strange, sunburnt and way more soulful than you’d expect: Australian cinema always does its own thing, and that’s exactly why people keep coming back. If you’ve ever
One of the most exciting acting talents to emerge from Australia in recent years, Nicholas Denton meets his match with James Litchfield’s unique and assured feature debut, Alphabet Lane.
Browse the new releases at any cinema right now and you will notice something. Amid the titles, the numbers stand out. Part two. Part three. And over there, remarkably, part
In movies, every edit shapes what we see, pausing real life to guide our attention. But on a video call, there's no one behind the curtain, no break in the
With Oscar winning director Chloe Zhao headed to Australia for a one-night-only in-conversation Vivid Sydney event at The State Theatre, we pay tribute to the quiet powerhouse behind Nomadland, The Rider,
Mount collecting in World of Warcraft is one of the oldest hobbies in the game that nobody warned you about when you first stepped into Azeroth. A casual trip through
FilmInk salutes the work of creatives who have never truly received the credit that they deserve. In this installment: director Alan Rudolph, who helmed Choose Me, Welcome To LA, Remember
Moroccan director Maryam Touzani, 45, and her French-Moroccan husband, producer Nabil Ayouch, 56, are quite the filmmaking couple. The queen and king of Moroccan cinema, we might say. Their award-winning, groundbreaking films are
In this regular column, we drag forgotten made-for-TV movies out of the vault and into the light. This week: the 1973 backstage drama The Third Girl From The Left, starring
For dedicated Aussie gamers, meeting fellow players can be tricky. For some, when they aren’t reading trusted reviews, they’re gaming. This alluring hobby mainly takes place in bedrooms up and
You love ’em, he hates ’em! The Butcher carves up your favourite films, and this week, he applies his sharpened cleaver to Stanley Kubrick’s controversial cult classic A Clockwork Orange.
