3.5
Primetime
… a relentlessly unpleasant and strangely pointless study of ego and exploitation.
Despite the fact that it was made almost four decades ago, Days remains fresh and exciting: Wong’s camera is so graceful, his edits so enlivening, that most contemporary arthouse films
3.5
… a relentlessly unpleasant and strangely pointless study of ego and exploitation.
Despite the fact that it was made almost four decades ago, Days remains fresh and exciting: Wong’s camera is so graceful, his edits so enlivening, that most contemporary arthouse films
7
… a character-driven war film, in part held back by uneven pacing, though the top-tier performances, unique subject matter and a late-stage depiction of war on the ground, leave a
6
... is not quite mediocre, but it is a matter of taste.
Travis Johnson
Dov Kornits
Cain Noble-Davies
Anthony O'Connor
Stephen Vagg
Gill Pringle
sequel
LGBTQI
book adaptation
music
Julian Wood
franchise
Annette Basile
feature debut
John Noonan
Australian
Erin Free
James Mottram
horror
Lisa Nystrom
True Story
Nadine Whitney
Melbourne International Film Festival
Netflix
French
Anthony Frajman
Abhi Parasher
Cannes Film Festival
Revelation Perth International Film Festival
Sydney Film Festival
sports
biopic
thriller
Grant Watson
British
Indigenous
Mark Demetrius
Disney
first nations
Oscars
Melbourne
Nataliia Serebriakova
ABC
New Zealand
Helen Barlow
British Film
Marvel
Science fiction
Sundance
Japan
A24
Impact Documentary
romantic comedy
Western Australia
anime
Forgotten Australian Films
documentary
Sydney Underground Film Festival
Christine Westwood
Independent Film
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